Semele

Semele

Dramatic entertainment in drei Akten

Libretto

Newburgh Hamilton
nach einem Libretto von William Congreve für John Eccles

Uraufführung

10. Februar 1744, London (Covent Garden)

Besetzung

JUPITER (Tenor)
CADMUS (Bass)
ATHAMAS, ein böotischer Prinz (Countertenor /Alt)
SOMNUS (Bass)
CUPIDO (Sopran)
APOLLO (Tenor)
JUNO (Alt)
IRIS, Götterbotin (Sopran)
SEMELE, Tochter von Cadmus (Sopran)
INO, Schwester Semeles (Alt)
HOHEPRIESTER (Bass)

CHOR
Priester und Wahrsager
Amoretten und Zephyretten
Nymphen und Schäfer

Ort

Griechische Sagenwelt

Zeit

Sagenzeit


Haendel, Georg Friedrich

Händel [Handel, Hendel], Georg Friedrich [George Frideric]
23.2.1685 Halle - 14.4.1759 London


Bühnenwerke
mit Datum/Ort der Uraufführung:

Der in Krohnen erlangte Glücks-Wechsel oder Almira, Königin von Castilien (8.1.1705 Hamburg)
Die durch Blut und Mord erlangete Liebe [Nero] (25.2.1705 Hamburg)
Vincer se stesso è la maggior vittoria [Rodrigo] (1707? Firenze)
Der beglückte Florindo; Die verwandelte Daphne (1.1708 Hamburg)
Agrippina (26.12.1709 Venezia)
Rinaldo (24.2.1711 London)
Il pastor fido (22.11.1712 London)
Teseo (10.1.1713 Londo)
Lucio Cornelio Silla (2.6.1713 London)
Amadigi di Gaula (25.5.1715 London)
Radamisto (27.4.1720 London)
Muzio Scevola (15.4.1721 London) [+ Amadei, Bononcini]
Floridante (9.12.1721 London)
Ottone, Rè di Germania (12.1.1723 London)
Flavio, Rè di Longobardi (14.5.1723 London)
Giulio Cesare in Egitto (20.2.1724 London)
Tamerlano (31.10.1724 London)
Rodelinda, Regina de' Longobardi (13.2.1725 London)
Publio Cornelio Scipione (12.3.1726 London)
Alessandro [Rossane] (5.5.1726 London)
Admeto, Rè di Tessaglia (31.1.1727 London)
Riccardo Primo, Rè d'Inghilterra (11.11.1727 London)
Siroe, Rè di Persia (17.2.1728 London)
Tolomeo, Rè di Egitto (30.4.1728 London)
Lotario (2.12.1729 London)
Partenope (24.2.1730 London)
Poro, Rè dell'Indie (2.2.1731 London)
Ezio (15.1.1732 London)
Sosarme, Rè di Media (15.2.1732 London)
Orlando (27.1.1733 London)
Arianna in Creta (26.1.1734 London)
Il pastor fido [rev] (18.5.1734 London)
Ariodante (8.1.1735 London)
Alcina (16.4.1735 London)
Atalanta (12.5.1736 London)
Arminio (12.1.1737 London)
Giustino (16.2.1737 London)
Berenice (18.5.1737 London)
Faramondo (3.1.1738 London)
Serse (15.4.1738 London)
Imeneo (22.11.1740 London)
Deidamia (10.1.1741 London)
rev = Bearbeitung



ERSTER AKT
Athamas will Semele heiraten, doch diese widersetzt sich zum Erstaunen und zur Beunruhigung des Bräutigams und ihrer Eltern (--> The morning lark). Sie liebt Zeus, der ihr in Gestalt eines Vogels erschienen ist, und sie bittet ihn, ihr zu helfen.
Ino, die den Prinzen liebt, ist über den Zwischenfall froh, aber die anderen sind ungehalten und werden darin von Hera unterstützt, bis Zeus wütend die Flamme am Altar löscht. Alles entflieht schreckensbleich vor seinem Donner.
Ino will den im Palast trauernden Athamas trösten, doch dieser begreift nicht, was Ino sagt. Cadmos kommt hinzu und berichtet, dass Semele von einem riesigen Adler entführt worden ist, was bei Athamas Trauer und bei Ino Freude auslöst. Schliesslich erhält Cadmos eine Botschaft von Zeus: Es gibt keinen Grund, betrübt zu sein, weil Semele ihr unerhörtes Glück geniesst (--> Endless pleasure, endless love).

ZWEITER AKT
Hera lässt Semeles Aufenthalt durch die Götterbotin Iris erkunden. Diese berichtet, dass Semele in einem Schloss wohnt, dort von Drachen bewacht und von Cupido, Pasithea, Adonis und Pan unterhalten wird. Hera ist wütend und beschliesst, Somnus zu bitten, die Drachen einzuschläfern.
Semele erwacht (O Sleep, why dost thou leave me?) und als Zeus erscheint, versichern sie sich gegenseitig ihrer Liebe. Doch dann wird Zeus von Semele vorgeworfen, dass er sie zuviel allein lasse und dass sie ihm nicht ebenbürtig sei. Um sie von ihren trüben Gedanken abzulenken, lässt Zeus Ino zu ihrer Gesellschaft holen und versetzt die beiden nach Arkadien (--> Where'er you walk). Die Schwestern sind jetzt glücklich.

DRITTER AKT
Somnus schläft, vergeblich versucht Hera, ihn zu wecken. Erst als ihm Hera Pasithea verspricht,
die bei Zeus und Semele weilt, wacht er auf und will tun, was von ihm verlangt wird. Er soll Zeus ein noch schöneres Traumbild als Semele vermitteln.
Hera kann sich, während Zeus wieder einmal abwesend ist, Semele in Gestalt von Ino nähern und lässt sie in einen Spiegel schauen, in dem ihr ein göttliches Bild vorgegaukelt wird. Semele ist davon fasziniert und fragt Hera, wie sie die Unsterblichkeit erlangen könne. Hera rät ihr, Zeus schwören zu lassen, als mächtiger Donner vor ihr zu erscheinen; dann zieht sie sich zurück, weil Zeus naht. Dieser, von Semele zurückgestossen, verspricht ihr, alle Wünsche zu erfüllen. Als Semele wünscht, dass Zeus vor ihr erscheine, wie er wirklich ist, versucht der Gott entsetzt, ihr diesen Wunsch auszureden. Doch alle Bitten und Vorhaltungen sind umsonst, selbst der Hinweis, dass sie verbrennen werde, nützt nichts. Die Vereinigung mit Zeus in seiner wahren Gestalt ist für Semele das Ende, sie verglüht; Hera aber triumphiert.
Ino ist in die Welt der Sterblichen zurückgekehrt und berichtet, es sei Zeus' Wille, dass sie Athamas heirate. Dieser willigt ein. in einer Wolke erscheint Apollo und kündet bessere Zeiten an, mit einer Anspielung auf die Geburt des Dionysos, Semeles und Zeus' gemeinsamer Sohn (--> From Semele's ashes a Phoenix shall rise).


ACT I
The action begins in Boeotia, at the Temple of Juno where the marriage of Semele, daughter of Cadmus, king of Thebes, and Athamas, a prince of Boeotia, is about to be solemnized.
Semele seems reluctant: she does not want to forgo her present liaison with Jupiter. Suddenly thunder is heard (a sign of Jupiter's activity), and the fire on the altar is extinguished: eventually the altar sinks from sight, and the wedding is abandoned in face of these omens. Ino, Semele's sister, reveals her love for Athamas, and Cadmus reports that, as his party was leaving Juno's temple, an eagle swooped down and carried Semele away; Jupiter now enjoys Semele's favours 'above' (--> Endless pleasure, endless Love).

ACT II
Juno is incensed by Jupiter's affair with Semele, and she determines to destroy the woman who has displaced her. She decides that she will need help from Somnus, the god of sleep.
In her palace, Semele awakes (--> O Sleep, why dost thon leave me?).
Jupiter enters and the two renew their affection. But Semele is not entirely happy: she is only a mortal, and feels frightened when Jupiter leaves her. In order to distract Semele from wishing for immortality, Jupiter brings Ino to Semele for company: he transforms the scene to Arcadia (--> Where'er you walk) and leaves the sisters together to enjoy the harmony of the spheres.

ACT III
Juno and her attendant messenger Iris visit Somnus' cave and (with some difficulty) awaken him. Among Juno's requests to Somnus is one that Ino should be immobilized by sleep so that Juno can impersonate her when she visits Semele: in return Juno guarantees to Somnus the lady that he desires, Pasithea.
Juno, disguised as Ino, goes to Semele; she asks whether Jupiter has consented to Semele's request to join the immortals. Semele replies that she is still mortal, and Juno gives her a mirror in order to admire her own features.
Semele gains confidence from what she sees in the mirror and Juno suggests that Semele should use her attractions to make Jupiter approach her bed "Not ... In Likeness of a Mortal, but like himself, the mighty Thunderer": by that means, Juno says, Semele will "partake of immortality" and be called from the mortal state.
Juno leaves as she hears Jupiter approach. Jupiter allows himself to be lured into promising to grant whatever Semele requests. When Semele asks him to appear "like Jove", Jupiter tries to dissuade her, but to no avail. Jupiter knows that if he appears as he really is, Semele will be consumed by his fire. And thus it turns out: Semele sees Jupiter afar in his true form, and dies. The chorus reflects on ambition that overreaches itself.
Ino, returned to the world of mortals, relates that in a dream Hermes told Ino that it was Jove's wish that she should now marry Athamas. Athamas enters willingly into the union.
A cloud descends on Mount Citheron, in which Apollo is discovered. He predicts that better times lie ahead, and specifically refers to the creation of Bacchus: "From Semele's ashes a Phoenix shall rise".

ACT ONE
 

No. 1 - Overture

SCENE 1
Cadmus, Athamas, Semele, Ino and Chorus of Priests. The scene is the temple of Juno. Near the altar is a golden image of the goddess. The Priests are in their solemnities, as after a sacrifice newly offered: flames arise from the altar and the statue of Juno is seen to bow.

No. 2 - Accompagnato

PRIEST
Behold! Auspicious flashes rise,
Juno accepts our sacrifice;
The grateful odour swift ascends,
And see, the golden image bends!

No. 3 - Chorus

PRIESTS
Lucky omens bless our rites,
And sure success shall crown your loves;
Peaceful days and fruitful nights
Attend the pair that she approves.

No. 4 - Recitative, arioso and duet

CADMUS
Daughter, obey,
Hear and obey!
With kind consenting
Ease a parent's care;
Invent no new delay,
On this auspicious day.

ATHAMAS
Oh, hear a faithful lover's prayer!
On this auspicious day
Invent no new delay.

No. 5 - Accompagnato

SEMELE
apart
Ah me!
What refuge now is left me?
How various, how tormenting
Are my miseries!
O Jove, assist me!
Can Semele forego thy love,
And to a mortal's passion yield?
Thy vengeance will o'ertake such perfidy.
If I deny, my father's wrath I fear.

No. 6 - Air

SEMELE
O Jove! In pity teach me which to choose,
Incline me to comply, or help me to refuse!
Teach me which to choose,
Or help me to refuse!

No. 7 - Air

SEMELE
The morning lark to mine accords his note,
And tunes to my distress his warbling throat.
Each setting and each rising sun I mourn,
Wailing alike his absence and return.

The morning lark …

No. 8 - Recitative

ATHAMAS
See, she blushing turns her eyes;
See, with sighs her bosom panting!
If from love those sighs arise,
Nothing to my bliss is wanting.

No. 9 - Air

ATHAMAS
Hymen, haste, thy torch prepare,
Love already his has lighted!
One soft sigh has cur'd despair,
And more than my past pains requited.

Hymen, haste …

No. 10 - Recitative

INO
Alas, she yields,
And has undone me!
I cannot longer hide my passion,
It must have vent,
Or inward burning
Will consume me.
O Athamas,
I cannot utter it!

ATHAMAS
On me fair Ino calls
With mournful accent,
Her colour fading,
And her eyes o'erflowing!

INO
O Semele!

SEMELE
On me she calls,
Yet seems to shun me!
What would my sister?
Speak!

INO
Thou hast undone me!

No. 11 - Quartet

CADMUS
Why dost thou thus untimely grieve,
And all our solemn rites profane?
Can he, or she thy woes relieve,
Or I? Of whom dost thou complain?

INO
Of all! But all, I fear, in vain.

ATHAMAS
Can I thy woes relieve?

SEMELE
Can I assuage thy pain?

CADMUS, ATHAMAS, SEMELE
Of whom dost thou complain?

INO
Of all! but all, I fear, in vain.

Thunder is heard at a distance and the fire is extinguished on the altar.

No. 12 - Chorus

PRIESTS
Avert these omens, all ye pow'rs!
Some god averse our holy rites controls;
O'erwhelm'd with sudden night the day expires,
Ill-boding thunder on the right hand rolls,
And Jove himself descends in show'rs
To quench our late propitious fires.

Flames are rekindled on the altar.

No. 13 - Accompagnato

CADMUS
Again auspicious flashes rise,
Juno accepts our sacrifice.

The fire is again extinguished.

Again the sickly flame decaying dies:
Juno assents, but angry Jove denies.

No. 14 - Recitative

ATHAMAS
Thy aid, pronubial Juno, Athamas implores!

SEMELE
apart
Thee, Jove, and thee alone, thy Semele adores!

A loud clap of thunder; the altar sinks.

No. 15 - Chorus

PRIESTS
Cease, cease your vows, 'tis impious to proceed,
Begone, and fly this holy place with speed!
This dreadful conflict is of dire presage,
Begone, and fly from Jove's impending rage!

Exeunt


SCENE 2
Athamas and Ino

No. 16 - Recitative

ATHAMAS
O Athamas, what torture hast thou borne,
And oh, what hast thou yet to bear?
From love, from hope, from near possession torn,
And plung'd at once in deep despair!

No. 17 - Air

INO
Turn, hopeless lover, turn thy eyes,
And see a maid bemoan,
In flowing tears and aching sighs,
Thy woes too like her own.

Turn, hopeless lover …

No. 18 - Recitative

ATHAMAS
She weeps!
The gentle maid, in tender pity,
Weeps to behold my misery!
So Semele would melt
To see another mourn.

No. 19 - Air

ATHAMAS
Your tuneful voice my tale would tell,
In pity of my sad despair;
And with sweet melody compel
Attention from the flying fair.

Your tuneful voice …

No. 20 - Recitative

INO
Too well I see,
Thou wilt not understand me.
Whence could proceed such tenderness?
Whence such compassion?
Insensible, ingrate,
Ah no, I cannot blame thee!
For by effects, unknown before,
Who could the hidden cause explore,
Or think that love could act so strange a part,
To plead for pity in a rival's heart?

ATHAMAS
Ah me, what have I heard,
She does her passion own!

No. 21 - Duet

INO
You've undone me,
Look not on me!
Guilt upbraiding,
Shame invading,
You've undone me,
Look not on me!

ATHAMAS
With my life I would atone
Pains you've borne,
To me unknown.
Cease to shun me.

BOTH
Love alone
Has both undone!


SCENE 3
To them Enter Cadmus, attended.

No. 22 - Recitative

CADMUS
Ah, wretched prince, doom'd to disastrous love!
Ah me, of parents most forlorn!
Prepare, O Athamas, to prove
The sharpest pangs that e'er were borne,
Prepare with me our common loss to mourn!

ATHAMAS
Can fate, or Semele, invent
Another, yet another punishment?

No. 23 - Accompagnato

CADMUS
Wing'd with our fears and pious haste,
From Juno's fane we fled.
Scarce we the brazen gates had pass'd,
When Semele around her head
With azure flames was grac'd,
Whose lambent glories in her tresses play'd.
While this we saw with dread surprise,
Swifter than lightning downward tending,
An eagle stoop'd, of mighty size,
On purple wings descending,
Like gold his beak, like stars shone forth his eyes,
His silver plumy breast with snow contending.
Sudden he snatch'd the trembling maid,
And soaring from our sight convey'd,
Diffusing ever as he less'ning flew
Celestial odour and ambrosial dew.

No. 24 - Recitative

ATHAMAS
Oh prodigy, to me of dire portent!

INO
To me I hope, of fortunate event!


SCENE 4
Enter to them Chorus of Priests and Augurs.

CADMUS
See, see, Jove's Priests and holy Augurs come,
Speak, speak of Semele, and me declare the doom!

No. 25 - Chorus

PRIESTS and AUGURS
Hail Cadmus, hail!
Jove salutes the Theban king!
Cease your mourning,
Joys returning,
Songs of mirth and triumph sing!
Hail Cadmus, hail!

No. 26 - Air and Chorus

SEMELE
Endless pleasure, endless love,
Semele enjoys above!
On her bosom Jove reclining,
Useless now his thunder lies;
To her arms his bolts resigning,
And his lightning to her eyes.

PRIESTS and AUGURS
Endless pleasure, endless love
Semele enjoys above!


ACT TWO
 
No. 27 - Symphony

SCENE 1
A pleasant country, the prospect terminated by a beautiful mountain adorn'd with woods and waterfalls.
Juno and Iris descend in different machines. Juno in a chariot drawn by peacocks; Iris on a rainbow; they alight and meet.


No. 28 - Recitative

JUNO
Iris, impatient of thy stay,
From Samos have I wing'd my way
To meet thy slow return.

IRIS
With all his speed not yet the sun
Through half his race has run,
Since I, to execute thy dread command,
Have thrice encompass'd sea and land.

JUNO
Say, where is Semele's abode?

IRIS
Look, where Cithaeron proudly stands,
Bœotia parting from Cecropian lands.
High on the summit of that hill,
Beyond the reach of mortal eyes,
By Jove's command and Vulcan's skill,
Behold a new-erected palace rise!

No. 29 - Air

IRIS
There, from mortal cares retiring,
She resides in sweet retreat.
On her pleasure, Jove requiring,
All the Loves and Graces wait.

There …

No. 30 - Recitative

JUNO
No more, I'll hear no more!

No. 31 - Accompagnato

JUNO
Awake, Saturnia, from thy lethargy!
Seize, destroy the cursed Semele!
Scale proud Cithaeron's top,
Snatch her, tear her in thy fury,
And down to the flood of Acheron
Let her fall, let her fall, fall, fall,
Rolling down the depths of night,
Never more to behold the light.
If I th'imperial scepter sway, I swear
By hell!
(Tremble, thou universe, this oath to hear!)
Not one of curst Agenor's race to spare.

No. 32 - Recitative

IRIS
Hear, mighty queen, while I recount
What obstacles you must surmount.

No. 33 - Accompagnato

IRIS
With adamant the gates are barr'd,
Whose entrance two fierce dragons guard.
At each approach they lash their forky stings
And clap their brazen wings;
And as their scaly horrors rise,
They all at once disclose
A thousand fiery eyes
Which never know repose.

No. 34 - Air

JUNO
Hence, Iris, hence away,
Far from the realms of day!
O'er Scythian hills to the Maeotian lake
A speedy flight we'll take!
There Somnus I'll compel
His downy bed to leave, and silent cell;
With noise and light I will his peace molest,
Nor shall he sink again to pleasing rest,
Till to my vow'd revenge he grants supplies,
And seals with sleep the wakeful dragons' eyes.

Hence …

Exeunt


SCENE 2
An apartment in the palace of Semele.
She is sleeping, Loves and Zephyrs waiting.


Air
probably cut before the first performance

CUPID
Come, Zephyrs, come, while Cupid sings,
Fan her with your silky wings!
New desire I'll inspire,
And revive the dying flames.
Dance around her
While I wound her,
And with pleasure
Fill her dreams.

Come, Zephyrs, come …

Semele awakes and rises.

No. 35 - Air

SEMELE
O sleep, why dost thou leave me,
Why thy visionary joys remove?
O sleep, again deceive me,
To my arms restore my wand'ring love!


SCENE 3
To them Enter Jupiter.

No. 36 - Recitative

SEMELE
Let me not another moment
Bear the pangs of absence;
Since you have form'd my soul for loving,
No more afflict me
With doubts and fears and cruel jealousy!

No. 37 - Air

JUPITER
Lay your doubts and fears aside,
And for joys alone provide.
Though this human form I wear,
Think not I man's falsehood bear.

Lay your doubts …

No. 38 - Recitative

JUPITER
You are mortal and require
Time to rest and to repose.
I was not absent,
While Love was with thee
I was present:
Love and I are one.

No. 39 - Air

SEMELE
With fond desiring,
With bliss expiring,
Panting,
Fainting,
If this be Love, not you alone,
But Love and I are one.
Causeless doubting,
Or despairing,
Rashly trusting,
Idly fearing,
If this be Love, not you alone,
But Love and I are one

With fond …

No. 40 - Chorus

LOVES AND ZEPHYRS
How engaging, how endearing,
Is a lover's pain and care!
And what joy the nymph's appearing
After absence or despair!

How engaging …

No. 41 - Recitative

SEMELE
Ah me!

JUPITER
Why sighs my Semele?
What gentle sorrow
Swells thy soft bosom?
Why tremble those fair eyes
With interrupted light,
Where hov'ring for a vent,
Amidst their humid fires,
Some new-form'd wish appears?
Speak, and obtain!

SEMELE
At my own happiness
I sigh and tremble,
For I am mortal,
Still a woman;
And ever when you leave me,
Though compass'd round with deities
Of Loves and Graces,
A fear invades me,
And conscious of a nature
Far inferior,
I seek for solitude
And shun society.

JUPITER
apart
Too well I read her meaning,
But must not understand her:
Aiming at immortality
With dangerous ambition.

No. 42 - Air

JUPITER
I must with speed amuse her
Lest she too much explain.
It gives the lover double pain
Who hears his nymph complain,
And hearing, must refuse her.

I must …

No. 43 - Chorus

LOVES AND ZEPHYRS
Now Love that everlasting boy invites
To revel while you may in soft delights.

No. 44 - Recitative

JUPITER
By my command
Now at this instant
Two winged Zephyrs
From her downy bed
Thy much lov'd Ino bear,
And both together
Waft her hither,
Through the balmy air.

SEMELE
Shall I my sister see,
The dear companion
Of my tender years?

JUPITER
See, she appears,
But sees not me;
For I am visible
Alone to thee.
While I retire, rise and meet her,
And with welcomes greet her.
Now all this scene shall to Arcadia turn,
The seat of happy nymphs and swains;
There without the rage of jealousy they burn,
And taste the sweets of love without its pains.

No. 45 - Air

JUPITER
Where'er you walk, cool gales shall fan the glade;
Trees, where you sit, shall crowd into a shade.
Where'er you tread, the blushing flow'rs shall rise,
And all things flourish where'er you turn your eyes.

Where'er …

Exit.


SCENE 4
Semele and Ino meet and embrace. Chorus of Nymphs and Swains.

No. 46 - Recitative

SEMELE
Dear sister, how was your passage hither?

INO
O'er many states and peopled towns we pass'd,
O'er hills and valleys, and o'er deserts waste;
O'er barren moors, and o'er unwholesome fens,
And woods where beasts inhabit dreadful dens.
Through all which pathless way our speed was such,
We stopp'd not once the face of earth to touch.
Meantime they told me, while through air we fled,
That Jove did thus ordain.

No. 47 - Air

INO
But hark, the heav'nly sphere turns round,
And silence now is drown'd
In ecstasy of sound.
How on a sudden the still air is charm'd
As if all harmony were just alarm'd!
And ev'ry soul with transport fill'd,
Alternately is thaw'd and chill'd.

No. 48 - Duet

SEMELE and INO
Prepare then, ye immortal choir,
Each sacred minstrel tune his lyre,
And all in chorus join!

No. 49 - Chorus

NYMPHS AND SWAINS
Bless the glad earth with heav'nly lays,
And to that pitch th'eternal accents raise,
That all appear divine!

ACT THREE
 

SCENE 1
The Cave of Sleep. The God of Sleep lying on his bed.
Juno and Iris appear.


No. 50 - Symphony

No. 51 - Accompagnato

JUNO
Somnus, awake,
Raise thy reclining head!

IRIS
Thyself forsake,
And lift up thy heavy lids of lead!

No. 52 - Air

SOMNUS
waking
Leave me, loathsome light,
Receive me, silent night!
Lethe, why does thy ling'ring current cease?
Oh, murmur, murmur me again to peace!

Sleeps again.

No. 53 - Recitative

IRIS
Dull God, canst thou attend the water's fall,
And not hear Saturnia call?

JUNO
Peace, Iris, peace! I know how to charm him:
Pasithea's name alone can warm him.
To Somnus
Somnus, arise!
Disclose thy tender eyes;
For Pasithea's sight
Endure the light.
Somnus, arise!

No. 54 - Air

SOMNUS
More sweet is that name
Than a soft purling stream.
With pleasure repose I'll forsake,
If you'll grant me but her to soothe me awake.

More sweet …

No. 55 - Recitative

JUNO
My will obey,
She shall be thine.
Thou, with thy softer pow'rs,
First Jove shalt captivate.
To Morpheus then give order,
Thy various minister,
That with a dream in shape of Semele,
But far more beautiful
And more alluring,
He may invade the sleeping deity;
And more to agitate his kindling fire
Still let the phantom seem to fly before him,
That he may wake impetuous, furious in desire,
Unable to refuse whatever boon
Her coyness shall require.

SOMNUS
I tremble to comply.

JUNO
To me thy leaden rod resign,
To charm the sentinels
On mount Cithaeron.
Then cast a sleep on mortal Ino,
That I may seem her form to wear,
When I to Semele appear.

No. 56 - Duet

JUNO
Obey my will, thy rod resign,
And Pasithea shall be thine.

SOMNUS
All I must grant, for all is due
To Pasithea, love and you.

Exeunt


SCENE 2
An Apartment. Semele alone.

No. 57 - Air

SEMELE
My racking thoughts by no kind slumbers freed,
But painful nights to joyful days succeed.


SCENE 3
To her Enter Juno as Ino, with a mirror in her hand.

No. 58 - Recitative

JUNO
apart
Thus shap'd like Ino,
With ease I shall deceive her,
And in this mirror she shall see
Herself as much transform'd as me.
to Semele
Do I some goddess see,
Or is it Semele!

SEMELE
Dear sister, speak,
Whence this astonishment?

JUNO
Your charms improving
To divine perfection,
Show you were late admitted
Amongst celestial beauties.
Has Jove consented,
And are you made immortal?

SEMELE
Ah no! I still am mortal;
Nor am I sensible
Of any change or new perfection.

No. 59 - Air

JUNO
giving her the glass
Behold in this mirror
Whence comes my surprise!
Such lustre and terror
Unite in your eyes,
That mine cannot fix on a radiance so bright,
'Tis unsafe for the sense and too slipp'ry for sight.

No. 60 - Recitative

SEMELE
Oh, ecstasy of happiness!
Celestial graces
I discover in each feature!

No. 61 - Air

SEMELE
Myself I shall adore,
If I persist in gazing.
No object sure before
Was ever half so pleasing.

Myself …

No. 62 - Recitative

JUNO
Be wise, as you are beautiful,
Nor lose this opportunity.
When Jove appears,
All ardent with desire,
Refuse his proffer'd flame
Till you obtain a boon without a name.

SEMELE
Can that avail me? But how shall I attain
To immortality?

No. 63 - Accompagnato

JUNO
Conjure him by his oath
Not to approach your bed
In likeness of a mortal,
But like himself, the mighty thunderer,
In pomp of majesty
And heav'nly attire,
As when he proud Saturnia charms,
And with ineffable delights
Fills her encircling arms,
And pays the nuptial rites.
You shall partake then of immortality,
And thenceforth leave this mortal state
To reign above,
Ador'd by Jove,
In spite of jealous Juno's hate.

No. 64 - Air

SEMELE
Thus let my thanks be paid,
Thus let my arms embrace thee,
And when I'm a goddess made,
With charms like mine I'll grace thee.

No. 65 - Recitative

JUNO
Rich odours fill the fragrant air,
And Jove's approach declare.
I must retire.

SEMELE
Adieu, your counsel I'll pursue.

JUNO
apart
And sure destruction will ensue,
Vain wretched fool, adieu!

Exit.


SCENE 4
Jupiter enters, offers to embrace Semele; she looks kindly on him, but retires a little from him.

No. 66 - Air

JUPITER
Come to my arms, my lovely fair,
Soothe my uneasy care.
In my dream late I woo'd thee,
And in vain I pursued thee,
For you fled from my prayer,
And bid me despair.
Come to my arms, my lovely fair.

No. 67 - Recitative

JUPITER
O Semele!
Why art thou thus insensible?

No. 68 - Air

SEMELE
I ever am granting,
You always complain.
I always am wanting,
Yet never obtain.
I ever am granting,
You always complain.

No. 69 - Recitative

JUPITER
Speak, speak your desire,
Say what you require,
I'll grant it.

SEMELE
Swear by the Stygian lake!

No. 70 - Accompagnato

JUPITER
By that tremendous flood, I swear.
Ye Stygian waters, hear,
And thou, Olympus, shake,
In witness to the oath I take!

Thunder is heard at a distance and underneath.

No. 71 - Recitative

SEMELE
You'll grant what I require?

JUPITER
I'll grant what you require.

No. 72 - Accompagnato

SEMELE
Then cast off this human shape which you wear,
And Jove since you are, like Jove too appear!

No. 73 - Air

JUPITER
Ah, take heed what you press,
For, beyond all redress,
Should I grant your request, I shall harm you.

No. 74 - Air

SEMELE
No, no, I'll take no less,
Than all in full excess!
Your oath it may alarm you.
Yet haste and prepare,
For I'll know what you are,
With all your powers arm you.

No, no …

Exit.


SCENE 5

No. 75 - Accompagnato

JUPITER
pensive and dejected
Ah, whither is she gone! unhappy fair?
Why did she wish, why did I rashly swear?
'Tis past, 'tis past recall,
She must a victim fall.
Anon when I appear
The mighty thunderer,
Arm'd with inevitable fire,
She needs must instantly expire.
'Tis past, 'tis past recall,
She must a victim fall.
My softest lightning yet I'll try,
And mildest melting bolt apply;
In vain, for she was fram'd to prove
None but the lambent flames of love.
'Tis past, 'tis past recall,
She must a victim fall.


SCENE 6
Juno, alone.

No. 76 - Air

JUNO
Above measure
Is the pleasure,
Which my revenge supplies.
Love's a bubble,
Gain'd with trouble,
And in possessing dies.
With what joy shall I mount to my heav'n again,
At once from my rival and jealousy freed!
The sweets of revenge make it worth while to reign,
And heav'n will hereafter be heav'n indeed.

Above measure …


SCENE 7
The scene discovers Semele under a canopy, leaning pensively, while a mournful symphony is playing. She looks up and sees Jupiter descending in a cloud; flashes of lightning issue from either side, and thunder is heard grumbling in the air.

No. 77 - Accompagnato

SEMELE
Ah me! Too late I now repent
My pride and impious vanity.
He comes! Far off his lightnings scorch me,
Ah, I feel my life consuming:
I burn, I burn, I faint, for pity I implore,
Oh help, oh help, I can no more!

She dies. The cloud bursts, and Semele with the palace instantly disappears.


SCENE 8
Cadmus, Athamas, Ino and Chorus of Priests.

No. 78 - Recitative

INO
Of my ill-boding dream
Behold the dire event!

No. 79 - Chorus

PRIESTS
Oh, terror and astonishment!
Nature to each allots his proper sphere,
But that forsaken we like meteors err:
Toss'd through the void, by some rude shock we're broke,
And all our boasted fire is lost in smoke.

No. 80 - Recitative

INO
How I was hence remov'd,
Or hither how return'd, I know not:
So long a trance withheld me.
But Hermes in a vision told me,
As I have now related,
The fate of Semele;
And added, as from me he fled,
That Jove ordain'd I Athamas should wed.

CADMUS
Be Jove in ev'rything obey'd.

Joins their hands.

ATHAMAS
Unworthy of your charms myself I yield,
Be Jove's commands and yours fulfill'd.

No. 81 - Air

ATHAMAS
Despair no more shall wound me,
Since you so kind do prove.
All joy and bliss surround me,
My soul is tun'd to love.

Despair no more …

No. 82 - Recitative

CADMUS
See from above the bellying clouds descend,
And big with some new wonder this way tend.

SCENE THE LAST
A bright cloud descends and rests upon Mount Cithaeron,
which, opening, discovers Apollo seated in it as the God of Prophecy.


No. 83 - Symphony

No. 84 - Accompagnato

APOLLO
Apollo comes, to relieve your care,
And future happiness declare.
From Semele's ashes a phœnix shall rise,
The joy of this earth, and delight of the skies:
A God he shall prove
More mighty than Love,
And sighing and sorrow for ever prevent.

No. 85 - Chorus

PRIESTS
Happy, happy shall we be,
Free from care, from sorrow free.
Guiltless pleasures we'll enjoy,
Virtuous love will never cloy;
All that's good and just we'll prove,
And Bacchus crown the joys of love.

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